Homeland Elegies: A Novel (Hardcover)
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A "profound and provocative" new work by the Pulitzer Prize-winning author of Disgraced and American Dervish: an immigrant father and his son search for belonging -- in post-Trump America, and with each other (Kirkus Reviews).
"Passionate, disturbing, unputdownable." -- Salman Rushdie
A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home.
Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one -- least of all himself -- in the process.
About the Author
Ayad Akhtar is a novelist and playwright. His work has been published and performed in over two dozen languages. He is the winner of the Pulitzer Prize for Drama and an Award in Literature from the American Academy of Arts and Letters.
Ayad is the author of American Dervish (Little, Brown & Co.), published in over 20 languages and named a Kirkus Reviews Best Book of 2012, as well as the forthcoming novel, Homeland Elegies (Little, Brown & Co.) in September 2020. As a playwright, he has written Junk (Lincoln Center, Broadway; Kennedy Prize for American Drama, Tony nomination); Disgraced (Lincoln Center, Broadway; Pulitzer Prize for Drama, Tony nomination); The Who & The What (Lincoln Center); and The Invisible Hand (NYTW; Obie Award, Outer Critics Circle John Gassner Award, Olivier, and Evening Standard nominations). As a screenwriter, he was nominated for an Independent Spirit Award for Best Screenplay for The War Within.
Among other honors, Akhtar is the recipient of the Steinberg Playwrighting Award, the Nestroy Award, the Erwin Piscator Award, as well as fellowships from the American Academy in Rome, MacDowell, the Sundance Institute, and Yaddo, where he serves as a Board Director. Additionally, Ayad is a Board Trustee at PEN/America and New York Theatre Workshop. He lives in New York City.
"Monumental . . . a globe-trotting tragicomedy."—Elle.com
"This tragicomedy is a revelation."—Publishers Weekly
"A searing work . . . profound and provocative."—Kirkus Reviews
“Achingly intimate . . . The personal is political in this beautiful, intense elegy for an America that often goes awry while still offering hope.”—Library Journal
“Akhtar confronts issues of race, money, family, politics, and sexuality in a bold, memoiristic tale . . . with an array of fascinating characters with different insights into the American character”—Booklist
"An unflinchingly honest self-portrait by a brilliant Muslim-American writer, and, beyond that, an unsparing examination of both sides of that fraught hyphenated reality. Passionate, disturbing, unputdownable."—Salman Rushdie, author of Quichotte
"An urgent, intimate hybrid of memoir and fiction, Homeland Elegies lays bare the broken heart of our American dream turned reality TV nightmare. The book…brilliantly captures how we got to this exact moment in time and at what cost. Stunning."—A. M. Homes, author of This Book Will Save Your Life and Days of Awe
"At the core of this flashing, kinetic coil of a story -- part 1001 Nights, part Reality TV -- is a passionate, wrenching portrayal of Americans exiled into 'otherness'."—Jennifer Egan, author of Manhattan Beach and A Visit From the Goon Squad
"With Homeland Elegies, Ayad Akhtar has found the perfect hybrid form for his exuberant, insightful, and wickedly entertaining epic about Muslim immigrants and their American-born children. A deeply moving father-and-son story unfolds against tumultuous current events in a book that anyone wanting to know how we as a nation got where we are today -- and into what dark wood we might be heading tomorrow -- should read."—Sigrid Nunez, author of The Friend
"Homeland Elegies is the astonishing work of an absolutely brilliant writer. With exquisite prose and lacerating honesty, Ayad Akhtar reveals the intersections of art, finance, race, religion, academia, and empire, and in the process, shows us a troubled reflection of our country in the twenty-first century."—Phil Klay, author of Redeployment
"A triumph. Akhtar rages, he sings, he indicts, he falls in love, he sorrows, he dreams, he mourns, he transcribes!-and finally, he transmutes injustice into the sublimest art."—Joshua Ferris, author of The Dinner Party
"Ayad Akhtar offers up his heart and life with an honesty that astonishes. Never have I experienced such a reading thrill. I put down this novel trembling at the courage it took to write it, and determined to be a better American for having read it."—Maria Semple, author of Where'd You Go, Bernadette
"Homeland Elegies is urgent, lacerating writing of the first order from one of our finest playwrights. A sensation of a book."—Suketu Mehta, author of This Land Is Our Land: An Immigrant's Manifesto
"A novel as brave as it is brilliant, as exciting as it is disturbing. This book captures our American moment with a power and depth that left me thrilled and shaken. One of our greatest playwrights establishes himself as a great novelist."—Oskar Eustis, Artistic Director of The Public Theater
"Homeland Elegies is a beautifully written and unflinching meditation on the American “Dream,” in a moment of Islamophobia, economic crisis, and the unmasking of national rot the Trump years have given us. Playful, daring, unapologetically smart, rejecting the constricting frames within which Muslim-American writing and art are often presented, the novel exposes debt peonage and racial othering as fundaments of our national condition with ruthless clarity."—Sadia Abbas, author of At Freedom's Limit and The Empty Room